((WATCH FULL MOVIE)) Captain America: The Winter Soldier Online Free PUTLOCKER
Run Time- 136 min - Action | Adventure | Sci-Fi - 4 April 2014 (USA)
Director- Anthony Russo, Joe Russo
Stars- Chris Evans, Samuel L. Jackson, Scarlett Johansson
Synopsis- Steve Rogers battles to grasp his part in the up to date world and fights another risk from old history: the Soviet executor known as the Winter Soldier
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Captain America is an American fictional character, a superhero who appears in comic books published by Marvel Comics. The character first appeared in Captain America Comics #1 (cover-dated March 1941) from Marvel Comics' 1940s predecessor, Timely Comics, and was created by Joe Simon and Jack Kirby. As of 2007, an estimated 210 million copies of "Captain America" comic books had been sold in 75 countries.[2] For nearly all of the character's publication history, Captain America has been the alter ego of Steve Rogers, a frail young man who was enhanced to the peak of human perfection by an experimental serum, in order to aid the United States government's imminent efforts in World War II. Captain America wears a costume that bears an American flag motif, and is armed with a nearly indestructible shield that can be used for defense and can also be thrown as a weapon.[3]
An intentionally patriotic creation who was often depicted fighting the Axis powers of World War II, Captain America was Timely Comics' most popular character during the 1940s wartime period. After the war ended, the character's popularity waned and the comic had been discontinued by 1950 aside from an ill-fated 1953 revival. Captain America was re-introduced by Marvel Comics during the Silver Age of comics, as an M.I.A soldier retrieved from an iceberg and awakened from suspended animation by the superhero team the Avengers in The Avengers #4 (March 1964). Since then, Captain America has often led the team, as well as starring in his own series.
Steve Rogers was purportedly assassinated in Captain America vol. 5, #25 (March 2007), although he was later revealed to be alive. The comic-book series Captain America continued to be published,[4] with Rogers' former sidekick, James "Bucky" Barnes, having taken up the mantle until Rogers eventually again assumed the role.
Captain America was the first Marvel Comics character adapted into another medium, with the release of the 1944 movie serial Captain America. Since then, the character has been featured in several other films and television series, including Chris Evans' portrayal in Captain America: The First Avenger, The Avengers, and Captain America: The Winter Soldier. Captain America was ranked sixth on IGN's Top 100 Comic Book Heroes.
In 1940, writer Joe Simon conceived the idea for Captain America and made a sketch of the character in costume.[5] "I wrote the name 'Super American' at the bottom of the page," Simon said in his autobiography, and then considered that,
No, it didn't work. There were too many 'Supers' around. 'Captain America' had a good sound to it. There weren't a lot of captains in comics. It was as easy as that. The boy companion was simply named Bucky, after my friend Bucky Pierson, a star on our high school basketball team."[6]
Simon recalled in his autobiography that Timely Comics publisher Martin Goodman gave him the go-ahead and directed that a Captain America solo comic book series be published as soon as possible. Needing to fill a full comic with primarily one character's stories, Simon did not believe that his regular creative partner, artist Jack Kirby, could handle the workload alone:
I didn't have a lot of objections to putting a crew on the first issue ... There were two young artists from Connecticut that had made a strong impression on me. Al Avison and Al Gabriele often worked together and were quite successful in adapting their individual styles to each other. Actually, their work was not too far from [that of] Kirby's. If they worked on it, and if one inker tied the three styles together, I believed the final product would emerge as quite uniform. The two Als were eager to join in on the new Captain America book, but Jack Kirby was visibly upset. 'You're still number one, Jack,' I assured him. 'It's just a matter of a quick deadline for the first issue.'
'I'll make the deadline,' Jack promised. 'I'll pencil it [all] myself and make the deadline.' I hadn't expected this kind of reaction ... but I acceded to Kirby's wishes and, it turned out, was lucky that I did. There might have been two Als, but there was only one Jack Kirby.
I wrote the first Captain America book with penciled lettering right on the drawing boards, with very rough sketches for figures and backgrounds. Kirby did his thing, building the muscular anatomy, adding ideas and pepping up the action as only he could. Then he tightened up the penciled drawings, adding detailed backgrounds, faces and figures.[6]
1974 Comic Art Convention program featuring Simon's original sketch of Captain America.
Al Liederman would ink that first issue, which was lettered by Simon and Kirby's regular letterer, Howard Ferguson.[7]
Simon said Captain America was a consciously political creation; he and Kirby were morally repulsed by the actions of Nazi Germany in the years leading up to the United States' involvement in World War II and felt war was inevitable: "The opponents to the war were all quite well organized. We wanted to have our say too."[8]
Captain America Comics #1 — cover-dated March 1941[9] and on sale December 20, 1940,[10][11] a year before the attack on Pearl Harbor, but a full year into World War II — showed the protagonist punching Nazi leader Adolf Hitler in the jaw; it sold nearly one million copies.[12] While most readers responded favorably to the comic, some took objection. Simon noted, "When the first issue came out we got a lot of ... threatening letters and hate mail. Some people really opposed what Cap stood for."[8] The threats, which included menacing groups of people loitering out on the street outside of the offices, proved so serious that police protection was posted with New York Mayor Fiorello La Guardia personally contacting Simon and Kirby to give his support.[13]
Though preceded as a "patriotically themed superhero" by MLJ's The Shield, Captain America immediately became the most prominent and enduring of that wave of superheroes introduced in American comic books prior to and during World War II,[14] as evidenced by the unusual move at the time of premiering the character in his own title instead of an anthology title first. This popularity drew the attention and a complaint from MLJ that the character's triangular shield too closely resembled the chest symbol of their Shield character. In response, Goodman had Simon and Kirby create a distinctive round shield for issue 2, which went on to become an iconic element of the character.[15] With his sidekick Bucky, Captain America faced Nazis, Japanese, and other threats to wartime America and the Allies. Stanley Lieber, now better known as Stan Lee, contributed to the character in issue #3 in the filler text story "Captain America Foils the Traitor's Revenge", which introduced the character's use of his shield as a returning throwing weapon.[16] Captain America soon became Timely's most popular character and even had a fan-club called the "Sentinels of Liberty."[8]
Circulation figures remained close to a million copies per month after the debut issue, which outstripped even the circulation of news magazines such as Time during the period.[14][17] After the Simon and Kirby team moved to DC Comics in late 1941, having produced Captain America Comics through issue #10 (January 1942), Al Avison and Syd Shores became regular pencillers of the celebrated title, with one generally inking over the other. The character was featured in All Winners Comics #1-19 (Summer 1941 – Fall 1946), Marvel Mystery Comics #80-84 and #86-92, USA Comics #6-17 (Dec. 1942 – Fall 1945), and All Select Comics #1-10 (Fall 1943 – Summer 1946).
In the post-war era, with the popularity of superheroes fading, Captain America led Timely's first superhero team, the All-Winners Squad, in its two published adventures, in All Winners Comics #19 and #21 (Fall–Winter 1946; there was no issue #20). After Bucky was shot and wounded in a 1948 Captain America story, he was succeeded by Captain America's girlfriend, Betsy Ross, who became the superheroine Golden Girl. Captain America Comics ran until issue #73 (July 1949),[18] at which time the series was retitled Captain America's Weird Tales for two issues,[19] with the finale being a horror/suspense anthology issue with no superheroes.
Atlas Comics attempted to revive its superhero titles when it reintroduced Captain America, along with the original Human Torch and the Sub-Mariner, in Young Men #24 (Dec. 1953). Billed as "Captain America, Commie Smasher!" Captain America appeared during the next year in Young Men #24-28 and Men's Adventures #27-28, as well as in issues #76-78 of an eponymous title. Atlas' attempted superhero revival was a commercial failure,[20] and the character's title was canceled with Captain America #78 (Sept. 1954).
Silver Age revival[edit]
In the Human Torch story titled "Captain America" in Marvel Comics' Strange Tales #114 (Nov. 1963),[21] writer-editor Stan Lee and artist and co-plotter Jack Kirby depicted the brash young Fantastic Four member Johnny Storm, the Human Torch, in an exhibition performance with Captain America, described as a legendary World War II and 1950s superhero who has returned after many years of apparent retirement. The 18-page story ends with this Captain America revealed as an impostor: it was actually the villain the Acrobat, a former circus performer the Torch had defeated in Strange Tales #106, who broke two thieves out of jail, hoping to draw the police away while trying to rob the local bank. Afterward, Storm digs out an old comic book in which Captain America is shown to be Steve Rogers. A caption in the final panel says this story was a test to see if readers would like Captain America to return.
Captain America was then formally reintroduced in The Avengers #4 (March 1964),[22] which explained that in the final days of World War II, he had fallen from an experimental drone plane into the North Atlantic Ocean and spent decades frozen in a block of ice in a state of suspended animation. The hero found a new generation of readers as leader of that superhero team. Following the success of other Marvel characters introduced during the 1960s, Captain America was recast as a hero "haunted by past memories, and trying to adapt to 1960s society."[23]
After then guest-starring in the feature "Iron Man" in Tales of Suspense #58 (Oct. 1964), Captain America gained his own solo feature in that "split book," beginning the following issue.[24] Issue #63 (March 1965), which retold Captain America's origin, through issue #71 (Nov. 1965) was a period feature set during World War II and co-starred Captain America's Golden Age sidekick, Bucky. Kirby drew all but two of the stories in Tales of Suspense, which became Captain America with #100 (April 1968);[25] Gil Kane and John Romita, Sr., each filled in once. Several stories were finished by penciller-inker George Tuska over Kirby layouts, with one finished by Romita Sr. and another by penciller Dick Ayers and inker John Tartaglione. Kirby's regular inkers on the series were Frank Giacoia (as "Frank Ray") and Joe Sinnott, though Don Heck and Golden Age Captain America artist Syd Shores inked one story each. The new title Captain America continued to feature artwork by Kirby, as well as a short run by Jim Steranko, and work by many of the industry's top artists and writers. It was called Captain America and the Falcon from #134 (Feb. 1971) to #222 (June 1978)[26] although the Falcon's name was not on the cover for issues #193, 200, and 216. The 1972–1975 run on the title by writer Steve Englehart and artist Sal Buscema saw the series become one of Marvel's top-sellers.[27] In 2010, Comics Bulletin ranked Englehart and Buscema's run on Captain America fourth on its list of the "Top 10 1970s Marvels".[28] Kirby returned to the series as writer and penciler with issue #193 (Jan. 1975)[29] and remained through #214 (Oct. 1977).
This series — considered Captain America volume one by comics researchers and historians,[30] following the 1940s Captain America Comics and its 1950s numbering continuation of Tales of Suspense — ended with #454 (Aug. 1996).
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